Our icon
painting introductory course has come to the end. Although spring in Calgary has
been cold and snowy this year, paradise hill landscapes, flowers and waves that
we painted during the course brightened the refectory of All Saints Church. Though
it is only the attempt to paint stylized scenery, the result also shows
students’ change.
Some have
learned how to hold a paintbrush and follow the rhythm of lines; the others
started to see and understand the colours of a favourite icon or decided to
continue doing pencil sketches. However, almost all students that have done the
course felt the beauty of an icon. One of the students said that before the
course when she looked at the icons she seemed not to understand their meaning
and was afraid to gaze at them; but suddenly, somewhere in the middle of the
course, she understood how beautiful the icons are.
During 14 lessons, the priest taught how much the icon is related to the Liturgy,
what the devotional art aspects are and the way they are correlated; as well as
what the difference between an icon and a painting is. He also told about the
importance of an icon, the attitude to it in different periods of Orthodoxy
existence and about the rebirth of the icon painting nowadays. The students
also drew sketches, practiced working with the paintbrushes, found necessary
colours. Despite the fact that there is a lot of information about the icon
painting on the Internet, in practice, it is one’s own experience of mistakes,
solutions and small victories. Nevertheless, the most important is that all of
us not only looked, but also tried to feel the icon.
An icon
gathers people around not only for a pray in churches or at home, but also for
the common work, exchange of knowledge and spiritual experience. There are good
reasons why icon painters come together and form workrooms, work in groups to
paint the churches. Icon painting is a composite practice. That is why Alipy
and Grigory have become the patron saints of our school; they were
companions not only in the monastic life of practice, but also in the icon
painting one.
Our lesson
became longer and longer, there were more and more questions. Many of the
students understood that 15
classes could not include all knowledge of the icon. It was not our goal
to graduate from the icon painting school; we wanted students to become familiar
with this kind of devotional art, under the patronage of the Christian Orthodox
Church.
In Calgary,
more and more people are interested in icon painting. Some of them want to
paint an icon for themselves, as being far away from home they have understood
that faith is their single support; and it is not always possible to buy an
indispensable icon, even a printed out copy. The others want to give a unique
present for a baptism ceremony or a wedding service. Some people want to make a
difference, as they see the needs of the Christian Orthodox Churches here.
There are
and those, who do not belong to the Christian Orthodox Church, but found the beauty
of the Christian Orthodox icon. For example, that is the 4th year
when the Catholic St. Mary’s University College runs the icon painting
workshops. Every year they invite an icon painter who chooses a sample and a
group of students paints an icon during a week or two. There are so many people
willing to attend the classes that it is almost impossible to enroll.
Meanwhile, in
our Christian Orthodox churches, we still can see printed out copies of icons.
What is to be done? Sometimes there is no money for a church renovation; there
are more newcomers among parishioners than those immigrants, who are already successful
here. To order a professional icon painter an icon is expensive, even when
ordering it, it takes almost a year, as an icon painter is busy. That is not
Russia, where in a small church shop one can offer you not only a cheap printed
out copy of an icon, but also several hand painted icons. That is why people
try to paint, sometimes successfully, sometimes not.
This is an
introductory course, an attempt to bring people of different talents to the
understanding of an icon in the church, not out of it: to unite them in their
common intention to contribute to the service of God and the Church.
The result of this course does not lie in good
or not so good performance of different tasks; it lies in systematization of
those details that people try to gather from different sources; and the priest
leads this process.
Someone
will stop considering an icon to be a charm or talisman, someone will discover
the beauty of an icon, and someone will refuse to paint icons, realizing that
it is not their way to God. Nevertheless, there are those who will embark on a
path of icon painting for the Church and people.
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